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That is, puppets and human characters completely ignore the puppeteers, and the audience is expected to do so as well.This can be a challenge as puppeteering mechanics are at times complex: The same puppet may be operated by different puppeteers in different scenes, and the actor voicing the puppet may not be the one animating it.Gary Coleman, the juvenile actor who played Arnold Jackson in the 1980s American sitcom Diff'rent Strokes and later famously sued his parents and business advisers for stealing his earnings during that time period, is portrayed (by a woman in most productions) as an adult, who happens to be the building superintendent in the run-down Avenue Q neighborhood to earn as much money as possible to keep on living.Marx and Lopez said that they originally intended to offer the Gary Coleman role to Coleman himself, and he expressed interest in accepting it, but did not show up for a meeting scheduled to discuss it. Beginning his search on Avenue A, he finally finds an affordable apartment on Avenue Q.With 2,534 performances, Avenue Q ranks 24th on the list of longest running shows in Broadway history.Avenue Q's unique presentation requires substantially more suspension of disbelief by audience members than normal.Kate dreams of starting a "Monstersori" school for young "people of fur".Princeton innocently asks Kate if she and Trekkie are related, since they are both monsters, but Kate angrily pronounces his assumption racist.

Its characters lament that as children, they were assured by their parents, and by children's television programs such as PBS's Sesame Street, that they were "special" and "could do anything"; but as adults, they have discovered to their surprise and dismay that in the real world their options are limited, and they are no more "special" than anyone else.

the show was developed as a stage production at the 2002 National Music Theatre Conference at the Eugene O'Neill Theater Center in Waterford, Connecticut.

It opened Off-Broadway in March 2003, co-produced by The New Group and the Vineyard Theatre, and transferred to Broadway in July 2003 where it won three Tony Awards, including Best Musical, and spawned Las Vegas and West End productions, two national tours, and a variety of international productions.

The cast consists of three human characters and eleven puppet characters who interact as if human, Sesame Street-style.

The puppets are animated and voiced by actor/puppeteers who are present, unconcealed, onstage but remain "invisible" relative to the storyline.

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